Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
特级里香又酷又爱吃醋 被凶秒怂 真舍不得她走～
里香和骨子哥真的好好嗑啊！太喜欢乙骨忧太了，又温柔又强大，还超级帅(ﾉ∇︎〃 )
电影的话，MAPPA还是立大功的
纯粉丝向。里香和乙骨的爱情，夏油杰对乙骨的动摇，五条悟和夏油杰的过去。这三个讲好哪一个都好，可惜这么短的篇幅还要每个都沾一下，所以每个都很蜻蜓点水（虽然我知道原著也差不多）。乙骨和高专同学的友情不错，可惜挖不了前三个那么深。节奏不错，看着不会犯困。打斗不错。五条悟不错，夏油杰不错。绪方老师，真嗣感太强了啊……
首先，五条悟是我老公。然后评价一下剧场版：不功不过。剧情就和漫画一模一样，本来我就不太喜欢这个故事。动作戏很吸睛，但是好像总是差一点才到我的g点就戛然而止了。尤其是纯爱战士我真的不太吃好吧。不过看到熟悉的角色出现还是很开心的，mappa赶紧出tv版第二部啊！！我不想看漫画……哦对了，花泽香菜的声音钻得我脑袋疼了。
10th film w her at sunrise
东堂葵 best friend!
看特效也知道，里香的尾兽玉一出，极之翻漩涡不是铁输嘛
主要讲乙骨忧太解放里香，顺带干掉夏油杰平息百鬼夜行的事。纯爱战神真的好帅！夏油杰没有漫画中酷帅，反而更像一个反派了，5t5依然那么美～
俗 堪称AU的EVAＸHP 但我至少知道纯爱战神是啥意思了
节奏太快了！！但还是很好看 打算去看动漫了！
打得挺好看 以及 原来夏油是二刺猿格林迪沃
草，刚想说乙骨有一股浓浓的真嗣味儿，结果就看到短评铺天盖地的纯爱战神淀真嗣xd 耍帅大合集吧只能说…
前面还不错，但结尾就这么开挂秒了油，还不如给五条悟发挥一下，打个精彩
纯爱战神，永远的神
娜娜米 负责的成年人
觉得很一般呀，讲的应该是TV版前面的剧情吧。很老套的剧情，『五条悟』近乎没什么存在感……
终于看完啦，之前漫画就已经看了两次，全是圆了梦。就像X战警：第一战，第0话让整幅作品更加得丰满，埋下了很多伏笔。是在整幅作品中承前启后，有被燃到。
纯爱战神代表台词：“我们是纯爱”险些把我笑死，用纯爱对抗大义（当然两个都是各种意义上的离谱）这种剧情属实是没想到会这么好笑。时不时会听到碇真嗣的影子，台词重音处理实在太有辨识度了，配上乙骨早期那个畏畏缩缩的样子，我都能配出碇真嗣的经典台词了“逃げるんじゃダメだ 逃げるんじゃダメだ”
本来觉得乙骨是阴暗病娇款，结果是锭真嗣第二。五条悟最后对夏游杰说的那句应该是“欢迎回来”吧。
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