Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
迪士尼IP大乱炖！盗版电影工厂和漫展真的惊喜无限！
故事很俗套，但是设定蛮有意思，是怎么想到的啊……IP太多了Disney，这真是一锅大乱炖随手抓就是戏……
两星半 chi chi chi chip n dale
现在是在拼谁的IP多么 - - 妈的你改什么不好改我最爱的迪士尼形象小飞侠exom？？？
2022.5.24和女友一起电脑观看。才知道这两只松鼠名字叫奇奇和蒂蒂，而且两个都是男的。小时候玩过的小霸王游戏松鼠大战也是他两，电影化也算是爷青回了哈哈。二维动画和三维动画一起呈现，第一次看这类型的电影，很特别，蛮新颖。剧情就比较一般，总体是在展现迪士尼ip 。
迪士尼一边打盗版，一边秀版权，IP排队再就业。
结合着前面的大白真是过山车式的体验，小时候没看过奇奇与蒂蒂，倒是玩过松鼠大作战，但却没想到着会是一个这样的故事。虽然彼得潘的盗版厂商是故事的核心，但事实上这部片子是在撩拨动画的发展史（二维动画-粘土定格动画-电脑动画）而这整个发展史中不同阶段所代表的媒介性质和争议都融进了里面的一些世界观中，比如像恐怖谷小镇。这就让片中无数的彩蛋不再单纯的变成一个大荟萃的效果（虽然还是有点多）更多的是一种动画媒介变迁和重要性的争论，而其中最大的反派，把这些经典角色绑架做成烂俗盗版，在碟片市场流通，榨干其IP价值，不正是当年迪士尼在二维动画电影上不断干的事情嘛，这一种自黑真的不敢相信是现在的迪士尼能做出来的。不过最大的缺点可能就是整个片子最后的反转和煽情又回归到最俗套的处理方法，再怎么间离也无法改变俗的事实
全世界都流行炒冷饭，主意不错，故事老套，Aïssa 推荐
作为一名普通的90后中国观众，电影中出现的这些动漫卡通人物熟悉的并不是很多，奇奇与蒂蒂更是完全没有看过，情怀实在有限
【B】没报什么期待，没想到意外的有趣。本来以为会和其他动画改编真人电影一样平庸，结果这部给拍成了迪士尼版《头号玩家》，各种IP彩蛋角色客串还有自嘲式玩梗太搞笑了，主线是无聊了一点，但角色写的很不错，情感很真挚，片尾有些感动泪目。
史努比耳朵和AUNT-MAN好好笑hhhh 彩蛋合集
因为两个都有脆弱的心变成了最好的朋友 他们走过了一段非常美好的时光 因为内心的脆弱感作祟而分开了很多年 又因为共同的朋友聚在一起 解开了多年的误会 虽迟但到 它一直都在
故事很简单 ip很多哈哈哈 他们的友谊感动到我了 谁不喜欢可可爱爱的花栗鼠呢 三表哥+警探=我的b99短暂的回来了呜呜呜
彩蛋电影！初代sonic真的好丑哈哈哈哈哈！
2021年第286部：想拍悬疑剧，结果编不下去了，加了自以为是的“幽默”来凑时长😅😅
自家别家大乱炖可还行~就是真人2D3D混一起太违和了~
哈哈哈哈什么鬼，想法不错。不过最精彩的还是Paul Rudd。以及根本听不出来史高治叔叔说了啥……
盗版设定很不错，IP太多梗目不暇接，剧情简单了点！
我的天啊，每一帧都有好多彩蛋和回忆杀，而且这是把迪士尼最强法务部的案例拿过来当编剧了吧哈哈哈
各种动画形式大融合 不愧是迪士尼啊 梗太密集了 快乐
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