ps:这部片子让我感觉像是《罗马》那个孩子出生后的续~
优缺点都很明显吧。想法都不错,但形式化的表达方式还是有些做作。最后成了华金的个人表演秀而已。
警校五人组的剧情很实在,就是透透戏份太少了orz
Your typical nice looking, "heart warming" A24 flick...unrealistically precocious kid paired with confused middle-aged man and through turbulence and conflicts they gradually learn from each other and cherish the experience forever --- I have seen this one many times before. The "it's okay to yell, and then yelling out loud" scene in particular is soooo much of a cliche. Cinematography is alright but not really impressive, watching this back to back with Red Rocket the difference is so obvious (ok B&W is at disadvantage but still).The interview bits aren't integrated organically into the story, and it feels like the feel-good, "heartfelt" material got mixed in just for audience appeal.
广大男性卷起来,请多拍男性带娃的电影,不要让女人把这个市场垄断了
挺有代入感的,想到了我和外甥女的相处已经和我姐姐的关系,但抛开这点来讲还是不太行
I'm not fine
某些人素质太差了吧,好多人都没看呢!就剧透!毛病啊…
在确信死亡之前,始终相信生命的存在,这就是名侦探之所以被称为名侦探的地方。
好温柔好舒缓~整部电影仿佛在告诉你,你那些再细小再难以名状再拧巴的情绪,都值得都可以慢慢地摊开、轻轻地抚平。大人读不懂孩子,也许是因为我们本来就读不懂自己。Mike Mills好会拍亲密的感觉啊。对着麦克风喃喃自语的华金,让人想起her里的Theodore。
非常暖 铺平的小品 没有爱情的故事简单纯净很多
那个液体也太听话了,都不主动往排水口走,bug很多不能细想。作为粉丝向电影因该是合格了,很多高人气角色都悉数登场。如果有喜欢的人物那应该算是值回票价了?
Best interviews ever. The world doesn't deserve these kids.
单向的情感影响,没有达成互相救赎,甚至有时男主是自大的。
大概是最近的十部里最好看的了(但也可能是我太爱松田的关系)
挺好看的 特别喜欢那句“真相只有一个”柯南好聪明
So fucking Bad 不真诚 the worst kind of tone-deaf NPR self congratulatory fake-inclusive elitism shit
虽然封面海报有点过于想拉观众的意思,但今年的内容还真挺不错的,比前几年的好太多。
毫無設計感,小孩子從頭討厭到尾,黑白畫面只是狡猾的算計。
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