Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
真好啊，这部作品。永远给你胃里暖暖的感觉。片尾曲很好听，很温柔。
纳兹咩有能力保护他想保护的人了
可疑来访者比石起好一些，总体上算是一般吧。
夏目不再是新的作品，而是那种温柔的记忆的唤起和怀念。
或许有一天，夏目也会成为三筱口中的转瞬即逝的怀念瞬间
为了夏目友人帐开了哔哩哔哩大会员，真香！
2021年第57部。名取周一甚至不配出场233333
温暖治愈~ 斑夏的盛世~~两个小人偶冲向天空的画面好可爱(*╹▽╹*)
“今晚的月色很美，我就特地送你一程吧。和你这样娇小的人类一起赏月的时光，也会有一天变得让人怀念吗？一定是转瞬即逝的吧。”不可结缘，徒增寂寞。彩云易散，烟花易冷，但那些铭记心中的美妙瞬间，大抵因为有你在身边才变得特别，让人怀念吧。
我看的时候记得片名的翻译是《唤石者与怪异的访客》呀。
补上了之前一些内容，也很短小精悍。我特别喜欢第二个故事，带着夏目飞在天边的时候看月亮那里真美
中下水平吧，单独拎出来的感觉并不出众，淡如水的汤，能闻着少许鸡味。也就这样
日本人真会小题大做、故弄玄虚，少看日式翻译
大森的脚本里强调了夏目和斑的关系性。村井一如既往写出了带有悬念的夏目味。
还是那个清清淡淡温暖治愈的味儿。三筱的人类形态竟然是个灰毛卷发西装帅哥，还有不对称的斜刘海和鬓发，而且一言不合就拉住基友的手到处约会，hso。他基友还是小鸟配音，更涩了！！！！！田沼的声优虽然很努力的去模仿小鸟那种充满非人感的高贵又蛊惑人心的腔调，可惜还是差得很远。不知是受困于声线配不出那种骚气感还是演技不到位放不开啊。还有，大概没可能看到基友的人类形态了真是太遗憾了。
其实我并不爱看日本鬼神动漫，有点害怕。只是日本动漫版拍得不是很恐怖，反而很温馨立志。但本质还是鬼片。
必看电影之一.
三筿好帅啊！！！虽然变身前的马脸也别有风味，但人形真的太好看了，这种好东西怎么才放出来！
啊，太温柔了。一个简单的小故事，散发的光芒。
不记得从什么时候开始，夏天必须有夏目友人帐，否则就不像个完整的夏天。
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