The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
好差……这绑匪比纸钞屋里那几个还蠢，人质不是黄政民xi就不会看了，不过这次黄政民演的也不是很黄政民。
翻拍“解救吾先生”，但改编的太突出黄政民个人英雄主义了，是想夸其演技好，还是想赞其战斗力强？
江湖人称“电梯战神”的黑帮大佬黄政民…..被绑架
当然最大的问题则在于黄政民演绎了黄政民
因为是改编，和《解救吾先生》的根据事实改编就有质的区别了。那么就要看韩国人的想象力了，但是似乎也没多少，唯一好的地方就是黄政民扮演他自己。
剧情故事一般，没有惊喜，剧情有点搞笑，人质活到最后居然是遇到一群内讧傻子团伙…
大明星也是孤胆英雄？剧情过度戏剧化了，反派也是太普通……
跟原版不太一样，剧情不合理，人物都很蠢，除了大明星以外。
原版本的就已經拍的不怎麼樣了 翻拍找了黃正民擔保 結果沒想到翻拍的版本更爛
就是一部反派内部大乱斗！不过反派耶确实比黄政民的角色出彩
自己演自己依旧很能打，比原版好的一点是加入了好几个女性角色吧。
一流演员救不回三流剧本的案例。（突然想看河正宇智斗诈骗犯[doge]）
吓到我了
绑匪正经事不干欢乐窝里反也是看得一头雾水。
又看到了鱿鱼游戏里的小姑娘，怎么还是这么惨？！
黄政民：用暗语叫人报警；劫匪：我绑架了黄政民哈哈哈哈哈
韩影近几年真的低迷了不少 这翻拍真的无力吐槽 4分吧
黄政民씨你也太能打了吧😂自己拯救自己
可能考虑到无法超越原版，用韩国动作电影一贯风格，这种演法给予主演一点颜面。
完全成了个犯罪动作片，远不如《解救吾先生》
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