Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
感觉还好啦，没有那么差。也有温馨和感人之处。就是感觉，嗯，有钱作～的。
全程都在毫不负责、想来就来地堆砌着廉价的情绪
其实一般，只不过口吐黄气的新能源丧尸真的脑洞大开了😂
2022.4.**僵尸竟然是动力来源，口气当汽油，变异僵尸能控制僵尸
原来全天下有女儿的老爸都是一个样子，古板守旧、冥顽不化、装腔作势又死要面子。全身充斥着骄傲的「大男子主义」，开着土的掉渣的老爷车，总是会冷言冷语打破愉快的气氛，好像从来只会照顾自己的感受。但他们又极力隐藏着自己柔软的内心，投身于事业又深爱着妻子，小心翼翼的保护自己的家庭，并一成不变的守护着自己的所谓「传统」。同时，对于自己女儿埋藏心底的爱，他也从来没有变少过。这样的父亲不只在电影里，更像是在我们身边，因为我们的父亲都是这个样子。很难得有一部触动人心的喜剧电影，至少它在这个盛夏的午后，打动了我。
没觉得有什么太惊奇的地方，就是特效更难看了。
疯批感和脑洞依旧，特别想看到导演把剧集版搞出来，太high了。
1，政治正确太过俗套，脱离现实。2，剧情的转折点竟然是因为黑人中层女性在重要时刻独自去见危险的线人？？最后说Camel的风景确实好。
是第一部的延续，不看前面后面接不上的。单线叙事，特别爽。这个科学家还挺牛，一直活到最后了。本集主要讲述草原英雄小姐妹互帮互助，激情四射，感染了第一集被干死的男的双胞胎兄弟，加入正义的队伍的故事。升级打怪依旧爽，快挂变身的时候一定要记得吃血包，女僵尸妹妹这次把哥哥也咬了，变成兄妹僵尸组了，炸药也炸不死那种，最后从火堆里出来明显告诉大家we are back。等第三集吧
图一乐可以看看
=我就想问，what fxxk？？？？这片子为什么还会有人拍出来？？？
丧尸永动机～还可以唉，喜欢看丧尸片的可以看一下
我觉得很差劲，不知道为啥要说cmbyn的翻版，男租客也是一股子普信男的样子……
简直是莫名其妙！ 格局小到一个不可思议… 真人版克拉吧辛戈 剧情无聊到我都懒得管在演什么… 僵尸🧟♂️在原有设定中增加沼气？瘟疫？ 女巫妖王带个美瞳就slay全场了… BOSS结果是卍解黑绳·天谴明王 男主末世一小纯洁，真·李小鹏吊环王👑 最后僵尸🧟♂️脑残片，你值得拥有！
而且怎么把手枪带上飞机，俄罗斯线人如何逃脱FSB，然后加入极端组织也没有讲
第一部里的男女主在这部跟疯子一样。
请问电影标题后缀的“末日”和内容有关系吗……第一部的质量在普遍质量低下的丧尸片里还不错 全程忠于“生存恐怖”这一主题 然而这一部更像是“飓风营救” 丧尸不再是主角了 而且电影里面人人都拿丧尸寻乐了怎么说也该开始人类反攻了吧
延续第一部的血腥和暴力，但是前半部分男主捡尸送组织当活祭品显得太傻了，好在亮点全在最后半小时了，动作戏处理的还不错，结尾留下了引子，还可能继续出下一部
他哥他老师他房客都很可啊 追求自由要有无限的勇气啊 如果没有人类之间的情感羁绊就好了 如果生命的本质不是繁衍后代就好了 那就可以用一生去爱去追求自由
跟1的关系还挺密切，剧情挺连贯。我还以为1里的男主和超人女都死了，没想到片尾还能看到，难道还有3？
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